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      <image:caption>  Heykel, Sırık ve Çeşme'den oluşan yürüme serisinin üçüncüsüdür. Bu seride kentte belirlenen rotalarda yapılan yürüyüşler boyunca atık malzeme toplanır. Toplanan malzemelerle yürüyüş sonunda kurulduğu yere bırakılmak üzere bir ürün oluşturulur. Heykel, Ankara sokaklarından toplanan atık malzemelerin Torun'a getirilmesiyle oluşturulan ürünü tanımlar. Iki gün sürecek bu performansta mekana her malzeme bırakılışında bir önceki evrede kurulan heykele yeni malzemeler eklenir. Heykel, günün farklı zamanlarında ziyaretçilerin karşısına yeni bir heykel olarak çıkar, ziyaretçilerin müdahalesine açıktır, bu süreçte herhangi bir yolla değiştirilebilir.</image:caption>
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      <image:title>Studio of Urgency - A lecture/ performance by Theaster Gates at the studio.</image:title>
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      <image:caption>Mixed media installation (2017) Exhibited in Designhuis Eindhoven “Anxiety is best conceptualized as a future-oriented cognitive-affective-somatic state, the prominent feature being a sense of uncontrollability focused on possible future threat, danger, or other upcoming, potentially negative events.” The sound of a circular drone that one cannot necessarily see but hears in the present, is a constant reminder of policing, control or a strike that may come at any time in the future, unexpectedly. Outside the windows, the soundscape created by drones bring the future into the present as a felt effect, whereas drone vision is directed towards staving off a future event through violence. Behind the curtains, constant drone surveillance has created a widespread culture of fearful apprehension, to the extent that the sound of whirring drones trigger varying consequences for the social dynamics of communities as well as, mental and bodily responses for individuals in advance of a drone strike having actually taken place. This work intends to use possible sonic scenarios with a spatial interface, in relation to Schuppli’s Uneasy Listening, to explore the relationship between military technologies and their collateral effects in present and future forms.</image:caption>
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      <image:title>0 - Mixed Media Installation (2017)</image:title>
      <image:caption>Exhibited in Designhuis Eindhoven “Anxiety is best conceptualized as a future-oriented cognitive-affective-somatic state, the prominent feature being a sense of uncontrollability focused on possible future threat, danger, or other upcoming, potentially negative events.” The sound of a circular drone that one cannot necessarily see but hears in the present, is a constant reminder of policing, control or a strike that may come at any time in the future, unexpectedly. Outside the windows, the soundscape created by drones bring the future into the present as a felt effect, whereas drone vision is directed towards staving off a future event through violence. Behind the curtains, constant drone surveillance has created a widespread culture of fearful apprehension, to the extent that the sound of whirring drones trigger varying consequences for the social dynamics of communities as well as, mental and bodily responses for individuals in advance of a drone strike having actually taken place. This work intends to use possible sonic scenarios with a spatial interface, in relation to Schuppli’s Uneasy Listening, to explore the relationship between military technologies and their collateral effects in present and future forms.</image:caption>
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      <image:title>Other Works</image:title>
      <image:caption>Mixed media installation (2017) Exhibited in Designhuis Eindhoven “Anxiety is best conceptualized as a future-oriented cognitive-affective-somatic state, the prominent feature being a sense of uncontrollability focused on possible future threat, danger, or other upcoming, potentially negative events.” The sound of a circular drone that one cannot necessarily see but hears in the present, is a constant reminder of policing, control or a strike that may come at any time in the future, unexpectedly. Outside the windows, the soundscape created by drones bring the future into the present as a felt effect, whereas drone vision is directed towards staving off a future event through violence. Behind the curtains, constant drone surveillance has created a widespread culture of fearful apprehension, to the extent that the sound of whirring drones trigger varying consequences for the social dynamics of communities as well as, mental and bodily responses for individuals in advance of a drone strike having actually taken place. This work intends to use possible sonic scenarios with a spatial interface, in relation to Schuppli’s Uneasy Listening, to explore the relationship between military technologies and their collateral effects in present and future forms.</image:caption>
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      <image:title>Other Works - Mixed Media Installation (2017)</image:title>
      <image:caption>Exhibited in Designhuis Eindhoven “Anxiety is best conceptualized as a future-oriented cognitive-affective-somatic state, the prominent feature being a sense of uncontrollability focused on possible future threat, danger, or other upcoming, potentially negative events.” The sound of a circular drone that one cannot necessarily see but hears in the present, is a constant reminder of policing, control or a strike that may come at any time in the future, unexpectedly. Outside the windows, the soundscape created by drones bring the future into the present as a felt effect, whereas drone vision is directed towards staving off a future event through violence. Behind the curtains, constant drone surveillance has created a widespread culture of fearful apprehension, to the extent that the sound of whirring drones trigger varying consequences for the social dynamics of communities as well as, mental and bodily responses for individuals in advance of a drone strike having actually taken place. This work intends to use possible sonic scenarios with a spatial interface, in relation to Schuppli’s Uneasy Listening, to explore the relationship between military technologies and their collateral effects in present and future forms.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55de11d8e4b03c880261e343/1535646853049-NDHK7GI93JRWGZHPD6KX/Screen+Shot+2017-07-05+at+1.47.02+PM.png</image:loc>
      <image:title>Other Works</image:title>
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      <image:title>Other Works</image:title>
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      <image:title>Other Works</image:title>
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    <loc>http://www.ulufercelik.com/dreaming-ruins-1</loc>
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    <lastmod>2021-01-18</lastmod>
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      <image:title>'Dreaming Ruins' (IV,III,II,I)</image:title>
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      <image:title>'Dreaming Ruins' (IV,III,II,I) - Senin annen eksikliği hissedilen bir annedir Senin için davullar bıraktı O güm güm atan bir annedir Senin annen büyük bir annedir Dağlar gibi durur Geçitvermez yaylalarda Ara sıra rüzgar olur eser Senin annen evin annesidir Sunacak bir şeyleri olmalıdır Çekip gidebilmek için Senin annen suçlu bir annedir Kendini iyi hissetmeyen Senin annen yere konan bir annedir Geleceğin masallarından konuşan Tek bir süt damlasını hatırlayan ‘Ama biz çözümü önerdiğimizde sen reddediyorsun Budur senin aldığın konum.’ Senin annen çocuğudur Dengelenmemiş güçlerin Köşelerden evler kurar Yuvarlak bir küredir</image:title>
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      <image:title>'Dreaming Ruins' (IV,III,II,I)</image:title>
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  <url>
    <loc>http://www.ulufercelik.com/new-page</loc>
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    <lastmod>2021-01-13</lastmod>
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    <lastmod>2021-01-18</lastmod>
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      <image:title>Collaborations</image:title>
      <image:caption>Ulufer Çelik &amp; Cihad Caner, ‘Quintessential Pirateness in the Age of Konijneneiland.’ Exhibition view Summer Lab 2019, Rib.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55de11d8e4b03c880261e343/1611000902584-IDT4EN1ZRJQQNGBS604T/75498654_325552905134448_6573296471589384051_n.jpg</image:loc>
      <image:title>Collaborations</image:title>
      <image:caption>Exhibition View, Corridor Project Space, 2020.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55de11d8e4b03c880261e343/1610999405330-YGSXQUEMT45DUP3R81T6/Summerlab2019-3.jpg</image:loc>
      <image:title>Collaborations</image:title>
      <image:caption>Ulufer Çelik &amp; Cihad Caner, ‘Quintessential Pirateness in the Age of Konijneneiland.’ Exhibition view Summer Lab 2019, Rib.</image:caption>
    </image:image>
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      <image:title>Collaborations</image:title>
      <image:caption>Ulufer Çelik &amp; Cihad Caner, ‘Quintessential Pirateness in the Age of Konijneneiland.’ Exhibition view Summer Lab 2019, Rib.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55de11d8e4b03c880261e343/1535649494317-DIXCON66A98EXBOK6XCH/Screen+Shot+2018-08-30+at+8.16.17+PM.png</image:loc>
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      <image:title>Collaborations</image:title>
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      <image:title>Collaborations</image:title>
      <image:caption>Ulufer Çelik &amp; Cihad Caner, ‘Quintessential Pirateness in the Age of Konijneneiland.’ Exhibition view Summer Lab 2019, Rib.</image:caption>
    </image:image>
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      <image:caption>Exhibition View, Growing Space Wielewaal, 2020. Photo: Carmen Jose</image:caption>
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